I am an illustrator from China, capturing the landscapes I encounter in my travels and the fantasy of imagination. Watercolor, colored pencils, and soft pastels are my preferred media, allowing me to convey texture, light, and emotion with a gentle touch. I invite you to explore the serene and wondrous worlds I create—each piece is a quiet journey, meant to be felt as much as seen.
Drawing, for me, is a way of observing the world slowly. Whether standing before distant mountains, wandering through unfamiliar cities, or reflecting on fleeting memories, I am drawn to moments of stillness — the subtle light before evening falls, the hush of early morning air, the quiet presence of nature.
I continue to explore how travel, memory, and inner reflection intertwine — allowing each journey, both outward and inward, to shape the worlds that emerge on paper.
My story
2020-2024 – Studied at Ningbo University, Graphic Design, China
July 2024 – Travelled in Southeast Asia
April 2025 – Worked at Disney in Orlando
2026 – Travel in Europe
My Graduation Exhibition
Book Design 《海子的诗》May. 2024
I chose a poetry collection as my graduation project. It chronicles the author’s exploration of nature and reflections on the meaning of life during his brief 25-year existence, prompting readers to contemplate the passage of time.
Workshop
In the Screen printing Class
I enjoy creating art with mixed media, For example, screen printing. Although the process is very complicated, it offers more possibilities and randomness, and creat cool effect like the retro way to make posters.
We experienced the entire process of screen printing, and everyone created screen-printed works on various materials, such as handbags, T-shirts, or Posters.
Drawing Process
“Golden Tree” was a final assignment of the Illustration class in my 3rd year of college. It took me 2 weeks to finish 6 pieces of a series illustration.
My Hand drawing process
Main materials: Soft Pastel, coloured pencil, water colour.
Recording the process of painting has become a quiet ritual for me. It allows me to witness not only how an image appears, but how it slowly grows — layer by layer, hesitation by hesitation.
Looking back at these recordings feels like opening a small window into the past. I can see the moments of uncertainty, the gentle corrections, the pauses where I simply sat and looked. The finished piece holds the final image, but the process holds the memory.
